![]() I look at the way(s) that the figure of the murderer Mick Taylor epitomizes and contrasts from the stereotypical ideal of the hypermasculine ‘Aussie bloke’ that has been successfully commodified in the recent marketing of the nation. In other words, here I am more concerned with ideological and cultural impacts rather than economic ones. ![]() How might Wolf Creek impact upon the Australian tourism industry? This paper is an attempt to address this question, but rather than moving into the shaky realm of extreme conjecture about the long-term economic benefits of the film, here I am more interested in examining the competing representations of tourism, tourists and national identity that are contained both within the film and in recent mainstream Australian tourism campaigns. ![]()
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